
Baza najnowszych artykułów naukowych, głównie psychologicznych - dotyczących filmoterapii do ściągnięcia:
- Coping.and.film.reception. A Study on the Impact of Film Dramas and the Mediating Effects of Emotional Modes of Film Reception and Coping Strategies
Benedikt Till,1,2 Thomas Niederkrotenthaler,1,3 Arno Herberth,4 Martin Voracek,5 Gernot Sonneck,3,6 and Peter Vitouch2
- Furman_Movie&Memory
- Hasson_Neuron_2008
- Affective Incongruity and The Thin Red Line
- Attachment, Trauma, and the Vicissitudes of Love Circularity in Julio Medem’s Lovers of the Arctic Circle
- Body Movements and Audience Emotion in Mira Nair’s Filmic Bombay
- Cameras, Mirrors, and the Bridge Space A Winnicottian Lens on Cinema
- Color and Artefact Emotion in Alternative Cinema A Comparative Analysis of Gabbeh, Mirch Masala,and Meenaxi A Tale of 3 Cities
- Exploring the Role of Meaningful Experiences in Users’ Appreciation of “Good Movies
- Emotion Capture Affect in Digital Film
- fantasy,realism,indian cinema
- Folk Psychology for Film Critics and Scholars
- From Despair to Wonder Scenes of Transcendence in Indian Cinema
- How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
- Hum Aapke Hain Koun...! An Example of the Coding of Emotions in Contemporary Hindi Mainstream Fil
- In Front of the Camera, Behind the Camera Ullmann Directs Bergman
- On Affect, Motion, and Nonverbal Art A Case and a Theory
- On the Appreciation of Cinematic Adaptations
- On the Meaning of Style Cognition, Culture, and Visual Technique in Bimal Roy’s Sujata
- Pain, Sadness, Aggression, and Joy An Evolutionary Approach to Film Emotions
- Pakeezah Dreamscape of Desire
- Sensorimotor Projection, Violations of Continuity, and Emotion in the Experience of Fil
- Strange Contracts Elfriede Jelinek and Michael Haneke
- The Body of the Machine Computer Interfaces in American Popular Cinema since 1982
- Through the Looking Glass Philosophical Toys and Digital Visual Effects
- What Evolutionary Cinematics Tells Us about Film
- “Sick Eros” The Sexual Politics of Antonioni’s Trilogy
- Blendings of Real, Fictional, and Other Imaginary People
- Causal Understanding and Narration
- Emotions in Sound Audiovisual Metaphors in the Sound Design of Narrative Films
- Enslaving Central Executives Toward A Brain Theory of Cinema
- Feelings in Conflict A Clockwork Orange and the Explanation of Audiovisual Emotions
- Film Studies and the New Science
- Frankenstein, Dracula,and the Workings of Genre
- Meta-Emotion How Films and Music Videos Communicate Emotions About Emotions
- Psychoanalysis, Cinema, History Personal and National Loss in René Clément’s
- Forbidden Games Resisting the Psycho-Logic of Intensified Continuity
- Review Essay Cognitivism Goes to the Movies
- Review Essay Phenomenology Goes to the Movies
- Sensorimotor Projection, Violations of Continuity, and Emotion in the Experience of Film
- Soundtrack in Mind
- Spatial Representation in Cognitive Science and Film
- The Camera as a Container Jonathan Caouette’s Tarnation
- The Extent of Mental Completion of Films
- The Neuroscience of Metafilm
- The Part-Time Cognitivist A View from Film Studies
- The Perverse Cosmos of Being John Malkovich Forms and Transformations of Narcissism in a Celebrity Culture
- The Segmenting Spectator Documentary Structure and The Aristocrats
- Understanding characters understanding_characters_page_korrekturfahnen-libre -drkowane
- What Difference Does It Make Science, Sentiment, and Film